Alexander Rofé, «Defilement of Virgins in Biblical Law and the Case of Dinah (Genesis 34)», Vol. 86 (2005) 369-375
Seduction or rape of a virgin in the Biblical milieu did not signify her being
defiled. The Hebrew verb t-imme) (to defile) applied to married or betrothed
women only. The case of Dinah is an exception. In Genesis 34, it is stated three
times that Jacob’s daughter was defiled by Shechem (vv. 5.13.27). A plausible
explanation of this state of affairs is that Genesis 34 reflects the late, postexilic
notion that the idolatrous gentiles are impure which implies the prohibition of
intermarriage and intercourse with them (Ezra 9, 11-12). The concept of the
impurity of idolaters persisted in post-biblical literature. Thus, the assertion that
Dinah was defiled by Shechem betrays a late date of composition in respect of
this story. This confirms Kuenen’s hypothesis that Genesis 34 in its present form
is a late chapter, containing an anti-Samaritan polemic which originated in the
Restoration Community of the Fifth-Fourth centuries BCE.
470 Gert T.M. Prinsloo
from Yahweh, estranged and unprotected, lies in the devastating
influence of sin. But because Yahweh does not keep “a record of sinsâ€
(3a) there is hope for the individual petitioner (5ab, 6ab) and indeed
for Israel at large (7abc, 8ab) (55).
Psalm 131 describes the effect of reconciliation with Yahweh (56).
It brings contentment, “like a weaned child with its mother†(2abc).
Yahweh is and remains Israel’s only source of hope (3a) because he
alone can transcend the constraints of time (3b). Significantly the
poem picks up important themes form Psalm 123. There the poet lifted
his eyes to YHWH enthroned in heaven (123,1ab). Here his “eyes are
not haughty†(131,1a)! There he prayed for mercy because he was the
target of contempt and ridicule (123,3-4). Here he does not “dwell
upon great matters, things too wonderful†for him (131,1b) but has
“stilled and quieted†his “innermost being†(131,2a). He has found
complete contentedness in the presence of YHWH.
As in Psalms 123–125 the main focus in Psalms 129–131 is on
abstract space. The experience of oppression (Psalm 129) is nothing
short of residing in the realm of death (Psalm 130). The only escape
lies in the mercy of Yahweh (Psalm 130) who grants a sinner
tranquillity and security (Psalm 131).
Psalm 132 contains a vivid description of the importance of
Jerusalem/Zion both as a concrete, physical space and as a symbol. It
is by far the longest of the Songs of Ascents; it alone suggests that a
climax has been reached. It has many connections with Psalm 122,
emphasising the importance of Jerusalem as a centre for pilgrimage
(6a-7b) containing the symbols of political (12) and religious (13)
authority (57). On the one hand Psalm 132 calls the past to mind (132,1-
10): the psalm commences with an urgent call that Yahweh should
remember David (1ab) and his oath to Yahweh (2ab) namely that he
will not rest (3a-4b) until he has found “a place for Yahweh†(5a), “a
dwelling place for the Mighty One of Jacob†(5b). The psalmist
urgently prays that YHWH should once again do what he did in the
time of David (8ab) and restore the importance of the city. Only at “his
dwelling place†(7a), at “his footstool†(7b) can his people experience
(55) MITCHELL, Message, 123. Cf. also G.T.M. PRINSLOO, “Psalm 130: Poetic
patterns and social significanceâ€, OTE 15 (2002) 462-464.
(56) MITCHELL, Message, 123 remarks that it is Israel’s experience of forgive-
ness (cf. Ps 130) that leads to a spiritual state of tranquillity and humble content-
ment in Ps 131.
(57) KRAUS, Psalms, 475.