Mark J. Boda, «Freeing the Burden of Prophecy:Mas%s%a4) and the Legitimacy of Prophecy in Zech 9–14», Vol. 87 (2006) 338-357
Prior to the 1980’s the definition of the Hebrew term mas%s%a4) as a reference to
prophetic speech or literature, was largely dominated by etymological
argumentation. However, Richard Weis, in his 1986 Claremont dissertation
leveraged form-critical categories and evidence to argue that this term was a
formal tag defining a particular type of literature, an argument that has been
applied and developed by the subsequent work of Marvin Sweeney (Isaiah,
FOTL; Book of the Twelve, Berit Olam) and Michael Floyd (JBL 12.1 [2002] 401-
422). This paper offers a critical review of this history of research with a view to
its impact on the interpretation of Zechariah 9–14. A new proposal is put forward
for the use of this term in Zechariah 9–14, one that reveals the influence of
Jeremianic tradition and highlights concern over certain prophetic streams in the
community that produced these texts.
348 Mark J. Boda
to their diachronic and synchronic dimensions. But certain aspects of
his argument do invite critical scrutiny.
In splendid fashion, Weis has undermined the enduring assumption
that ma¢¢Ë’ texts are negative prophecy, but as he replaces it with this
new hypothesis that they are explicative prophecy, he seems to
replicate similar problems. Consistently in his work on the genre’s
constitution (the ma¢¢Ë’ texts apart from their final literary context) he
must deal with exceptions to patterns he has highlighted for these
ma¢¢Ë’ texts. Thus, for example, on his way to concluding that the
“norm†for these texts is that they are not a verbatim report of YHWH
speech, but rather the speech of the prophet, he must explain away
exceptions in three texts (27). In his search for formal elements of the
genre, Weis must finally admit:
While we have been able to uncover some typical formal aspects of
these texts, there remains among them a certain degree of formal
diversity — especially of superstructural diversity. Various formal
means — albeit falling within certain boundaries — are used to
accomplish the same purpose. This suggests that intention may play a
much more significant role as a unifying and characterizing aspect for
ma¢¢Ë’ texts as a genre than form does (28).
(27) WEIS, “Definitionâ€, 212-213.
(28) Ibid., 227. Although focusing on the final literary rather than original oral
level, Floyd says he follows Weis in identifying three formal elements of the
ma¢¢Ë’ genre, that is, 1) assertion about Yahweh’s involvement in a particular
situation; 2) allusion to previous prophecies whose status is clarified by the
assertion; and 3) directives concerning an appropriate response to Yahweh’s
¯
initiative based on this assertion; FLOYD, “MA››A’â€, 411. As with Weis, however,
Floyd regularly admits inconsistency in the structure of his proposed genre (see
comments on Habakkuk, p. 414, and on Malachi, p. 416). Additionally, for Floyd
there is the problem of his identification of the proposed “previous revelationâ€
(#2), especially the identification of Nah 1,11-14 and Hab 1,5-11, and for
Malachi, the Torah. Such a claim is difficult to question as at many points in
prophetic books there are allusions to earlier revelation, whether that is the Torah
or the earlier prophets. Sweeney also is open to criticism on this point. In the case
of Zech 9–11 and 12–14, Sweeney claims that the “previous revelation†is the
book of Isaiah. Sweeney bases this on an allusive play he discerns between
Zechariah ben Berechiah ben Iddo (Zech 1,1) and Zechariah ben Jeberechiah (Isa
8,2) and on his claim that “much of the material in Zechariah 9–11 and 12–14
appears to be heavily indebted to Isaiahâ€; SWEENEY, Twelve, II:657. The first basis
is speculative and although the second may be true, Isaiah is certainly not the only
prophet alluded to in Zech 9–14; cf. Bringing Out the Treasure: Inner Biblical
Allusion and Zechariah 9–14 (eds. M.J. BODA – M.H. FLOYD) (JSOTSS; Sheffield
2003). Note ironically FLOYD, Minor Prophets, 547, whose criticism of Jeremias’
work on “theophany†could have been directed at Weis’ work: “He calls the