Rupert Allen, «Mark 14,51-52 and Coptic Hagiography», Vol. 89 (2008) 265-268
The question of the identity of the young man who flees naked at the end of the Markan Passion narrative has elicited a great variety of responses from exegetes. Early commentators merely referring to existing hagiography, often identifying the man as 'James, the brother of the Lord' because of his supposed aestheticism. In the 19th century the idea that the young man was a type of signatory device by the evangelist came to the fore in critical biblical literature. Research into Coptic MSS now reveals the identification of the young man with the Evangelist in fact finds its root in 13th century Egyptian hagiography.
Mark 14,51-52 and Coptic Hagiography
How late and with what uncertainty it came to be suspected that the author lay
concealed in Mark 14:51 (Theodore Zahn, 1899)
One of the enduring riddles in the exegesis of the New Testament has been
the identity of the neanivsko" in Mark 14,51-52. There has been much debate
with regard to the identity of the neanivsko", ranging from informed guesses
to bizarre identifications, used only to further the particular cause of the ex-
egete. Many modern biblical commentaries simply state that the neanivsko"
is to be identified with the evangelist and no more is said. One might well be
forgiven for believing that this identification is simply the product of the 19th
century school of biblical criticism that saw in every verse a secret, or even
obvious, motive of the author, designed to convey some sort of information
about the literary, social or theological standpoint of the author. In fact, we
can now establish that the identification of the neanivsko" of 14,51-52 with
the Evangelist lies not in the minds of 19th century exegetes, but really much
deeper, even to the 13th century.
The first responses to the question of the identity of the neanivsko" seem
to be random suggestions, based on supposed correlations with traditions of
other New Testament figures. Thus we find the first identification of the
neanisko" with James ‘the brother of the Lord’ in the Panarion ( ) of Epipha-
1
v
nius of Salamis. This suggestion is put forward by Epiphanius as part of a
meditation on the ascetical life of James; this ‘brother of the Lord’ wore but
a threadbare sheet, that same sheet which was left by him in the garden. Am-
brose uses a similar method, but in his mind it is not the sheet that tells us of
the neanivsko"’s identity, but rather his age, leading Ambrose to suggest, not
James, but rather John the Evangelist (2). The correlation between the identi-
fication of the neanivsko" and developing hagiography is already manifest,
but the question for such writers is not really the identification of the
neanisko" himself, but rather how the subject of their writing can be identi-
v
fied with this otherwise unknown witness to the Passion. Aquinas tells us of
further suggestions that follow this mode of identification (3); Bede also sees
in the neanivsko", the young disciple John, as does Gregory (4). Others were
keen to maintain his anonymity; both Theophylact (5) and Victor (6) simply
(1) The Panarion of Epiphanius of Salamis (ed. F. WILLIAMS) (Leiden 1994) 640
(Books II and III [Sects 47-80, De Fide], Anacephalaeosesis VII, Against Antidicomarians
13.2-3).
(2) Commentary of St. Ambrose on Twelve Psalms (Dublin 2000) 86-87.
(3) THOMAS AQUINAS, Catena Aurea (ed. J.G.F. – J. RIVINGTON) (London 1842) II,
299.
(4) ST. GREGORY THE GREAT, Morals on the Book of Job (London 1844) II, 49.
(5) AQUINAS, Catena Aurea, II, 299 and Migne, Scripturae Sacrae Cursus Completus
(Paris 1839) XXII, 202.
(6) POSSINUS, Catena Græcorum patrum in Evangelium secundum Marcum (Rome
1673) 326.