Juraj Feník - Róbert Lapko, «Annunciations to Mary in Luke 1–2», Vol. 96 (2015) 498-524
In addition to the scene conventionally known as "the Annunciation" (Luke 1,26-38), three other texts in the infancy narrative qualify to be classed as such. This article proposes an understanding of 2,8-20; 2,22- 35; 2,41-52 as annunciation pericopes by highlighting the fact that other characters, namely, the shepherds, Simeon, and Jesus function as messengers communicating to Mary further information about her son. It identifies the messenger, the act of speaking, the message, and the reference to Jesus' mother in each of the four scenes. Luke's infancy narrative, so the argument runs, contains four annunciation scenes in which a progressive revelation about Jesus addressed to his mother takes place.
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523 ANNUNCIATIONS TO MARY IN LUKE 1–2 523
Finally, in 2,49 Jesus speaks to his parents (kai. ei=pen pro.j auvtou,j).
The following verse that records the parents’ misunderstanding of to.
r`hm/ a o] evla,lhsen auvtoi/j refers to his utterance. The verbs of speaking
used in all these instances should be allowed their full telic force —
each suggests that an annunciation is underway within the pericope.
The evangelist highlights Mary as the principal recipient of the
above annunciations. She appears as the addressee of the angel’s
message in 1,30 (auvth/|) and 1,35 (auvth/|). Her relative identifies her
as the addressee in 1,45 (auvth/|). While the shepherds are not ex-
plicitly pictured as speaking directly to her, Mary’s attitude of pre-
serving their words comes in view in 2,19. She is the one to whom
Simeon speaks, implicitly in the first part of his speech (2,28-32),
explicitly in the second (2,34-35 pro.j Maria,m). Her son also
speaks to her (2,49). Each scene contains a reference to Mary’s re-
action to the message proclaimed (1,38; 2,19; 2,33; 2,50-51), with
the last one implying that Mary preserved in her heart the words of
all annunciations delivered (2,51 pa,nta ta. r`h,mata) 47.
Each messenger appears on stage with a message concerning
Jesus. Gabriel announces that the child will be the Messiah and
God’s son. The shepherds add that he is the savior. Simeon aug-
ments this portrait by out clarifying Jesus’ significance for the Gen-
tiles, while anticipating the future division in Israel caused by his
appearance. Jesus himself rounds out the content of the preceding
messages by pointing out that he must be evn toi/j tou/ patro,j. What
thus emerges is the phenomenon of a crescendo characterization of
Jesus — the angel in the first annunciation has not drawn for Mary
the christological portrait in its fullest expression. Other messengers
appear and broaden his proclamation by supplying new crucial in-
formation about Jesus’ identity and his future deeds.
Teologická fakulta v Košiciach Juraj FENÍK
Katolícka univerzita v Ružomberku Róbert LAPKO
Hlavná 89
041 21 Košice, Slovakia
47
The formulation pa,nta ta. r`h,mata, to follow HEININGER, “Familien-
konflikte”, 58, “auf alles zurückblickt, was in der Kindheitsgeschichte bislang
über Jesus gesagt wurde”. Storing the words of all announcements in her heart
implies, in the words of J.N. ALETTI, L’art de raconter Jésus Christ. L’écriture
narrative de l’évangile de Luc (Paris 1989) 77, that Mary “entre par la médi-
tation dans l’épaisseur du mystère de son fils”.