Thomas Bolin, «Rivalry and Resignation: Girard and Qoheleth on the Divine-Human Relationship», Vol. 86 (2005) 245-259
This article looks at the repeated gnomic phrase in the Book
of Qoheleth, "All is vanity and a chasing after wind" (NRSV) and reads it as a
disjunctive parallelism in which the terms lbh
and xwr denote mortality and the divine spirit,
respectively, thus showing the sense of the phrase to be, "All is mortal, but
strives for immortality". Using René Girard’s concept of mimetic rivalry
clarifies this reading of the proverb, and shows it to be a concise expression
of a major theme in the Book of Qoheleth, viz., the author’s thoughts on the
difference between humanity and God, understood as paradoxical relationship
based on both similarity and difference between humans and the divine. More
importantly, Girard helps to understand more deeply how and why Qoheleth views
human proximity with the divine as the cause of conflict and pain in human life.
Because this tension is also evident in numerous other biblical and
extra-biblical texts, caution must be exercised, in referring to the Book of
Ecclesiastes as a "radical" or "heterodox" writing.
254 Thomas Bolin
draws upon Freud’s early work on parent-child relationships. Before
he developed the notion of the Oedipus Complex (which for Girard is
an unnecessary limiting of a basic insight concerning rivalry) Freud
noted the following paradox at the heart of the parent-child
relationship. On the one hand, the child is told to be like the parent and
so to look to the parent as a model of behavior. On the other the child
is simultaneously told not to be like the parent and so to deny any
aspirations toward the parents’ rights and responsibilities (39).
Borrowing a phrase from the study of schizophrenia by Gregory
Bateson, Girard expresses this paradox as “the double bindâ€, which
may be put succinctly: “Taken as model, imitate me; and as rival, do
not imitate me†(40). Desire, and the resulting conflict, are thus the
necessary outcomes of mimesis. If one is to be like another, then one
must desire what the other desires. Doing so amounts to nothing less
than the desire on the part of the imitating party to replace its model.
Imitation becomes rivalry; flattery becomes aggression.
Girard conceptualizes this relationship in terms of a triangle
between the subordinate, who desires to be like the model; the object,
which is the thing desired, and the mediator, the superior who
commands both imitation and distinction. In Girard’s terms, these
three parts of the triangle are: 1) the subject, who desires 2) the object,
that which is desired but is the possession of 3) the mediator, so called
because it is only through the mediator, as superior commanding
imitation, that the subject becomes aware of the object as desirable.
The artificial distinction made by the subject concerning the object
and the mediator is often a necessary guard against the subject, as
subordinate, facing the reality that its desire is really to replace the
mediator. Yet paradoxically, at the same time it also allows the subject
to view the mediator as separate from the desired object, and an
obstacle that prevents the fulfillment of the subject’s desire. This
separation of the object and the subject’s focus on it intensifies to such
a degree that the object is invested with a reality above and beyond that
of the subject’s. This creates what Girard calls “metaphysical desireâ€,
i.e., the view of the object as possessing infinite capacity for
desirability and fulfillment (41).
(39) Violence, 169-174.
(40) Things Hidden, 291-293.
(41) Things Hidden, 296-297. This is reminiscent of P. TILLICH’s discussion
of “ultimate concernâ€, and of the danger of making finite realities objects of
ultimate concern (Dynamics of Faith [New York 1957] 1-29. For Tillich, “the