A.L.H.M. van Wieringen, «Psalm 65 as Non-Appropriation Theology», Vol. 95 (2014) 179-197
The biblical perspective that a receiver of God's promises is not allowed to claim these promises is called non-appropriation theology. Psalm 65 can be read as an example of this non-appropriation theology. The 'I'- character does not claim the fertile Land but can only speak about the abundance of the harvest of their wheat (v. 10). The heading of Psalm 65, identifying the 'I'-character as David, preserves the non-appropriation theology. This non-appropriation theology is retained in the receptionhistory of Psalm 65, as can be found in the Septuagint and the liturgical use of Psalm 65 in the funeral Mass.
02_VanWieringen_179_197 15/07/14 12:15 Pagina 191
PSALM 65 191
ised Land, neither can Moses enter the Promised Land nor can
David build the house of God.
The Psalter as a whole appears to express this theology of non-
appropriation as well. After Psalm 72, the comment follows: “here
end the prayers of David, the son of Jesse” (v. 20). Indeed, Psalms
1–72 contain many so-called “David” psalms, certainly in compar-
ison with the rest of the Psalter 23.
The last psalm before this comment, Psalm 72, describes the
king in Jerusalem, using images which occur in Psalm 65 as well.
In verses 3 and 7, the theme of peace and calm is used, guaranteeing
a government without violence and war. The “mountains” and
“hills” are bearers of this peace, as, in Psalm 65, the “mountains”
are bearers of the earth in verse 7 and the “hills” are bearers of the
jubilation about the fertility of the land in verse 13. This fertility is
expressed in Psalm 72 as well, especially in verse 16 using the word
“grain” as in verse 14 in Psalm 65.
Moreover, Psalm 72 contains a movement of zooming out. Verse
8 states that the king may have dominion from sea to sea and from
the river to the extremities of the earth. The indications “ends of
the earth” and “sea” occur in verse 6 in Psalm 65 as well. In Psalm
72, these most remote edges of the earth are concretized in the top-
ographical proper names Tarshish, Sheba and Seba in verse 10.
Tarshish is very often identified with the Iberian Peninsula, and
Sheba and Seba with the Horn of Africa.
Psalm 72 does not only zoom out regarding the spatial décor,
but also regarding the aspect of time. The king may reign as long
as the sun and the moon endure (v. 5; see also verses 7 and 17).
These indications evoke the morning and the evening mentioned
in verse 9 in Psalm 65, although used with a spatial meaning.
These semantic parallels between Psalms 65 and 72 evoke the ques-
tion whether the theology of non-appropriation can be found in Psalm
72 as well. Here, the heading of Psalm 72 is an important clue. It simply
reads: “concerning Solomon”. Although the psalm is about the ideal
king, the heading does not mention David, but rather Solomon. This is
all the more striking because of the comment following this psalm,
namely that the prayers of David have come to an end, whereas the
prayer of Psalm 72 itself is not connected to the proper name of David.
23 See also HOSSFELD – ZENGER, Psalmen 51-100, 314.