Gregory T.K. Wong, «Song of Deborah as Polemic», Vol. 88 (2007) 1-22
Focusing on its rhetorical structure, this article argues that the Song of Deborah in Judg 5 may have been composed not so much primarily to celebrate a victory, but to serve as a polemic against Israelite non-participation in military campaigns
against foreign enemies. Possible implications of such a reading on the song’s relationship with the prose account in Judg 4 and its date of composition are also explored.
Song of Deborah as Polemic 3
What these differences seem to indicate is that, even if one readily
accepts the classification of both as a victory song, the Song of Moses
and the Song of Deborah appear to be two very different kinds of
victory song. And while the Song of Moses seems to conform by and
large to what one would typically expect of a hymn praising YHWH
for a spectacular victory against an enemy, the same cannot be said of
the Song of Deborah. For there, not only does the otherwise
spectacular but only briefly-described military victory seem not to be
a central focus of the song, the involvement of YHWH in that victory
is also alluded to in only two (Judg 5,4-5) out of thirty verses that make
up the song. Instead, a significant portion of the song seems to concern
the action or inaction of different individuals and groups on the
Israelite side, and some of those singled out for attention did not even
contribute to the victory supposedly being celebrated.
This therefore raises the possibility that the Song of Deborah may
not first and foremost have been intended purely to be a song
celebrating a military victory, but that its author may have taken
advantage of the occasion to craft a song that appears to be celebratory
but that in reality is intended for a very different purpose. As shall be
argued in the remainder of this article, it is my contention that the Song
of Deborah may in fact be a piece of political polemic dressed up as a
victory song, the ultimate goal of which is to discourage non-
participation in a war for YHWH’s cause by praising those who took
part and censuring those who did not.
2. The Song of Deborah as Polemic: A Structural Argument
To make a case for such an understanding, I will focus primarily on
the rhetorical structure of the Song of Deborah. The underlying
assumption is that apart from words, the rhetorical structure of a
literary composition — that is, the way various component parts are
carefully arranged within that composition — often serves also as a
significant conveyor of meaning. For not only does structure facilitate
comprehension by clarifying unit boundaries that mark off subsections
of a larger literary work, very often within each subsection, the
arrangement of material can also help clarify the main focus of that
section (6).
(6) For examples of how the analysis of structure can contribution to the task
of interpretation, see, for example, R. MEYNET, Rhetorical Analysis. An
Introduction to Biblical Rhetoric (JSOTSS 256; Sheffield 1998) 19-36; G.T.K.
WONG, “Is There a Direct Pro-Judah Polemic in Judges?â€, SJOT 19 (2005) 90-98.