Gregory T.K. Wong, «Song of Deborah as Polemic», Vol. 88 (2007) 1-22
Focusing on its rhetorical structure, this article argues that the Song of Deborah in Judg 5 may have been composed not so much primarily to celebrate a victory, but to serve as a polemic against Israelite non-participation in military campaigns
against foreign enemies. Possible implications of such a reading on the song’s relationship with the prose account in Judg 4 and its date of composition are also explored.
12 Gregory T.K. Wong
Barak, but also as following Barak’s lead in heading down into the
valley where the battle would take place (29). However, up to this point,
actual engagement with the enemy has yet to occur.
But right at this point, when one almost expects next to hear about
the battle itself, perhaps to create suspense, the battle scene is delayed
as the focus suddenly shifts away from the activities of the participating
tribes to those that had chosen a different response. Instead of
volunteering themselves for battle, this second group of tribes chose to
stay home. Here in vv. 15d-17, the verbs bçy and ˆkç appear twice and
rwg once, thus signalling an inactivity that contrasts with the previous
group that came down (dry) from their various regions (30).
But if the focus of vv. 14-17 is indeed on the participation or lack
thereof of the various tribes leading up to the actual battle, then a case
can be made that the battle narrative actually begins in v. 18. For
unlike vv. 14-17, the focus of v. 18 seems no longer to be just on the
fact of participation leading up to battle but on the manner of
participation during battle. After all, Zebulun and Naphtali are said in
v. 18 to be scorning life to the point of death, and if that speaks of the
tribes’ valour, it is a valour observable mainly during battle and not
before (31). In fact, that such valour is specifically said to be
(29) It is noteworthy that in the prose account, Deborah apparently did not take
part in the actual battle. After she gave the final rallying cry on Mount Tabor in
Judg 4,14, it was only Barak and the ten thousand men with him who headed
down into the valley to engage with the enemy. In this regard, one can argue that,
even though Issachar is not specifically mentioned in Judges 4, the presence of
the tribe with both Deborah and Barak and the subsequent mention of it heading
down into the valley with Barak in Judg 5,15a-c may correlate with the precise
moment depicted in Judg 4,14 leading up to the actually battle.
(30) Here, B. HALPERN, “The Resourceful Israelite Historian: The Song of
Deborah and Israelite Historiographyâ€, HTR 76 (1983) 381-396, argues that the
tribes in vv. 15d-17 are in fact not presented as refusing to participate, but as
having participated in battle. But even if one grants some of HALPERN’s
arguments, it is still puzzling as to why normally static verbs like bçy and ˆkç
would be used in v.17 to indicate participation. Besides, in a stanza that HALPERN
himself notices is dominated by martial language, a lyrical understanding of these
verses as focusing on the tribes’ dwelling places seems out of place and lacking
in harmony with the stanza’s overall tenor.
(31) Here, yltpnw in v. 18 is understood to imply that Naphtali also acted
the same way as Zebulun did, scorning life to the point of death. The phrase
hdç ymwrm l[ is then understood as providing the setting where such acts of valour
are displayed by both tribes during battle. Incidentally, this understanding of 5.18
as taking place during actual battle is also shared by A. GLOBE, “The Muster of the
Tribes in Judges 5:11e-18â€, ZAW 87 (1975) 177.