Gregory T.K. Wong, «Song of Deborah as Polemic», Vol. 88 (2007) 1-22
Focusing on its rhetorical structure, this article argues that the Song of Deborah in Judg 5 may have been composed not so much primarily to celebrate a victory, but to serve as a polemic against Israelite non-participation in military campaigns
against foreign enemies. Possible implications of such a reading on the song’s relationship with the prose account in Judg 4 and its date of composition are also explored.
Song of Deborah as Polemic 13
demonstrated in “the heights of the field†further confirms that it is the
tribes’ battle conduct that is in view. For not only is hdç often the place
where battles are fought (32), as Lindars points out, the very fact that the
two tribes dared to come down and exposed themselves in open
country, knowing that it would make them easy target for Sisera’s
chariots, is what made their valour so commendable (33). These
observations thus seem to support the argument that, contrary to what
most believe, the battle narrative actually does not begin at v. 19 but at
v. 18.
To be sure, such an interpretation is open to being criticised as
“hyper-literal†(34). Halpern even argues that it is precisely such a literal
interpretation of v. 18 that led the author of Judg 4 to wrongly infer that
it is only Zebulun and Naphtali that participated in the actual battle (35).
But the insistence that v. 18 belongs with what precedes is also not
without difficulty. For even if one grants Halpern’s contention that the
tribes in vv. 15d-17 are presented not as refusing to participate but as
participating, there is still the question of why commendations for
Zebulun would occur in two separate places if vv. 14-18 actually
constitutes a single rhetorical unit that focuses on all who participated.
And if, contrary to Halpern, the tribes in vv. 15d-17 are in fact
presented as refusing to participate, then it is even more puzzling that
the two praises for Zebulun are separated both by Issachar, another
participating tribe, and a list of non-participating tribes.
But this would no longer pose a problem if v. 18 is not counted as
part of the preceding tribal roll call, but as part of the following battle
narrative. For then, the twice mentioning of Zebulun can easily be
explained since the second reference to the tribe with Naphtali in v. 18
marks a new rhetorical unit and thus serves a different rhetorical
function from its earlier reference in v. 14 (36).
(32) See Josh 8,24; Judg 9,43-44; 20,31; 1 Sam 4,2; 14,15; 2 Sam 10,8; 11,23;
18,6. GRAY, “Israelâ€, 439, n. 60, actually sees the term as referring specifically to
the battleground in this context.
(33) LINDARS, Judges, 264-265.
(34) R.S. KAWASHIMA, “From Song to Story: The Genesis of Narrative in
Judges 4 and 5â€, Prooftexts 21 (2001) 156.
(35) HALPERN, “Resourcefulâ€, 390.
(36) Admittedly, this would still leave open the question as to why Naphtali
has not been included in the tribal roll call of vv. 14-17. While no easy solution is
available, perhaps the mention of Barak in v. 15 goes some distance towards
filling the gap. After all, Barak was himself a Naphtalite, and in this respect, his
presence could conceivably be seen as representative of the tribe’s participation.