Stephan Witetschek, «Artemis and Asiarchs. Some Remarks on Ephesian Local Colour in Acts 19», Vol. 90 (2009) 334-355
Luke’s account about Paul’s stay in Ephesos (Acts 19) is well known for its strong local colour, two elements of which are studied in this contribution: the asiarchs (19,31) and the title newko/roj (temple-warden) for Ephesos (19,35). The appearance of asiarchs in Acts questions the view that the asiarchs were the highpriests of the provincial imperial cult. Acts 19,35 contributes to the discussion about city-titles in the 1st-3rd centuries CE. In both instances, Acts is a source not so much for the narrated time of Paul, but rather for Luke’s own time, and as such of interest for both exegetes and historians.
Artemis and Asiarchs 337
Erinnerung in der ‘objektiven’ Tiefe einer Erstepoche, um seiner
Gemeinschaft auf einem lebhaften Forum konkurrierender religiöser
Selbstdefinitionen die altbiblische Herkunft sichtbar zu machen, die
Stiftungsmemoria zu vergegenwärtigen und so ihrer Gegenwart
verbindliche Identität zu geben. Anders gesagt: Er entwirft die
intentionale Geschichte der werdenden Kirche. Es ist diese
Intentionalität, die seine Geschichtsschreibung als konstruktives
Ordnungshandeln verstehen lässt†(10).
If this is a valid approach to Acts, then it becomes problematic to
maintain a prejudice in favour of Acts as an a priori reliable historical
source for the narrated events. On the other hand, to acknowledge that
Luke had an agenda does not in itself justify a general verdict about
Acts as historically worthless. Rather, as is often pointed out (11), the
merits of historical details in Acts have to be judged individually —
with the “Karl May rule†in mind. Moreover, when Acts is used as a
historical source, some further clarification is required: Is the book
used as a source for the events narrated, or is it used as a source for its
author ’s convictions and concerns and for the challenges Luke and his
readers/hearers probably faced? Are we interested in what happened in
the first three decades of Christianity, or are we interested in how Luke
told this story of the beginnings to an audience in his own time? Both
approaches are worthwhile, but they should not be confused.
In the present contribution, these considerations will be further
fleshed out with regard to two details in Acts 19.
2. The Asiarchs
In Acts 19,30-31 Luke interrupts his story of the silversmiths’
revolt as the riotous crowd gathers in the theatre. Now the narrative
focuses on Paul and his non-involvement in this riot. Apart from
(10) K. BACKHAUS, “Lukas der Maler: Die Apostelgeschichte als intentionale
Geschichte der christlichen Erstepocheâ€, K. BACKHAUS – G. HÄFNER, Historio-
graphie und fiktionales Erzählen. Zur Konstruktivität in Geschichtstheorie und
Exegese (BThSt 86; Neukirchen-Vluyn 2007) 30-66, 31 (the chapter’s thesis); for
materially similar (if differently nuanced) assessments cf. e.g. C.K. BARRETT, A
Critical and Exegetical Commentary on The Acts of the Apostles (ICC; London –
New York 1998) II, cxi-cxii.cxvi-cxviii; S. SHAUF, Theology as History, History
as Theology. Paul in Ephesus in Acts 19 (BZNW 133; Berlin – New York 2005)
299-317; D. MARGUERAT, Les Actes des Apôtres (1–12) (CNT 5a; Genève 2007)
26-27.
(11) Cf. e.g. J.A. FITZMYER, The Acts of the Apostles. A New Translation with
Introduction and Commentary (AB 31; New York 1998) 127; CONZELMANN –
LINDEMANN, Arbeitsbuch14, 359.