Hans Ausloos - Valérie Kabergs, «Paronomasia or Wordplay? A Babel-Like Confusion. Towards a Definition of Hebrew Wordplay», Vol. 93 (2012) 1-20
Against the general background of a terminological confusion that is present in contributions about Hebrew wordplay, the definition of the socalled paronomasia in relation to the term wordplay is especially debated. This article aims to clarify the concept of wordplay in the Hebrew Bible. After a survey of the current opinions in defining the terms «paronomasia» and «wordplay» (I), we propose our own definition of «Hebrew wordplay» (II). Thereafter, this description will simultaneously delimit the field of Hebrew wordplay as it excludes a few linguistic figures, although they are possibly classified as wordplay in other studies (III).
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PARONOMASIA OR WORDPLAY?
single word in the same sense, one could refer to Hosea 8,3 and 8,5 38.
Both verses have the verb xnz (“to rejectâ€). This repetition of the same
word results in an identical sound pattern of both words, but is with-
out any variation in meaning., Some scholars have, however, seen
wordplay in such repetitions 39. (2) Some figures of word that share
similar sound patterns but do not play on a difference in meaning are
referred to as figura etymologica 40. Word combinations that reflect a
schema etymologicum are in fact particular syntactical constructions
consisting of cognate words. One could refer to Genesis 37,9, in which
the construction Mwlx ytmlx (literally “I have dreamt a dreamâ€)
appears. Since the verb Mlx and the noun Mwlx are cognate, a sim-
ilarity in sound is obvious; but again there is no variation in meaning.
(3) Stylistic figures such as alliteration, assonance and other kinds of
rhyme are also not to be catalogued as “wordplay†in our opinion ―
and this in contrast with Casanowicz 41. This does not mean that the
sound play apparent in some cases of wordplay could not be seen as
alliterating or assonantal. However, such combined words should then
also display a difference in meaning, and cannot be called wordplay
solely on the basis of their alliterating or assonantal qualities. One
finds an example in which assonance is actually combined with a dis-
similarity of meaning in Proverbs 10,16 42. Both the word tl(p
(“work, positive rewardâ€) as well as the noun t)wbt (“produce,
yieldâ€) are vocalized with qibbus or sureq on the one hand and patah
term geminatio can be used for both possibilities. In practice, however, all
these concepts are very often mixed.
38
R.B. CHISHOLM, “Wordplay in the Eighth-Century Prophetsâ€, BSac 144
(1987) 44-52, 45.
39
Cf. for example CHISHOLM, “Wordplay in the Eighth-Century Prophetsâ€,
45-46; SCHORCH, Between Science and Magic, 208. Contra CASANOWICZ, Pa-
ronomasia in the Old Testament, 26.
40
BÜHLMANN – SCHERER, Stilfiguren der Bibel, 20-21. The idea that the
grammatical concept of Hebrew paronomasia is related to or is even the same
as the description attributed to the figura etymologica is confirmed in the
grammars of W. GESENIUS – E. KAUTZSCH, Hebraïsche Grammatik (Leipzig
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1896) 359; B.K. WALTKE – M. O’CONNOR, An Introduction to Biblical He-
brew Syntax (Winona Lake, IN 1990) 584.
41
CASANOWICZ, Paronomasia in the Old Testament, 3-4. Cf. CHERRY, Pa-
ronomasia and Proper Names in the Old Testament, 6; NOEGEL, “‘Word Play’
in Qohelethâ€, 4-16.
42
CASANOWICZ, Paronomasia in the Old Testament, 55 and 64; WATSON,
Classical Hebrew Poetry, 243.