Nili Samet, «The Gilgamesh Epic and the Book of Qohelet: A New Look», Vol. 96 (2015) 375-390
This paper re-examines the relation between the Gilgamesh tradition and Qohelet. It presents formerly recognized analogies between the two texts, along with a newly identified parallel. Analysis of the data indicates that Gilgamesh is the only currently known ancient text that can be considered a direct literary source of Qohelet. The paper then discusses the nature of the Gilgamesh epic used by Qohelet's author. It shows that this version is not identical with any Gilgamesh recension known to us. Consequently, an attempt is made to describe this unique Gilgamesh version, and to locate it within Qohelet's historical and intellectual context.
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383 THE GILGAMESH EPIC AND THE BOOK OF QOHELET: A NEW LOOK 383
Life is associated here with the light of the sun, since only those
who live on earth can see it. The dead, to the contrary, dwell in the
dark underworld where no light exists. One’s short life on earth
should therefore not be wasted in rest; instead, one should take full
advantage of the limited time one is able to see light — or, as poet-
ically put by Gilgamesh — nawirtam lušbi, “to be sated with light”.
A very similar concept is found in Qohelet 11,7-8:
The light is sweet, and it is delightful for the eyes to see the sun.
If a man lives many years, let him rejoice in them all, yet let him re-
member the days of darkness, for they shall be many.
All that comes is vanity.
Here too, the light is a symbol for life, while death is described
as “days of darkness”, since the dead dwell in the dark under-
world. Like Gilgamesh, Qohelet stresses that the days of darkness
“shall be many”, as opposed to the short span of man’s life. Man
should therefore spend his limited life in tasting the sweet light as
long as it is possible. The latter metaphor is reminiscent of the phrase
used by Gilgamesh: “Let my eyes look at the sun so I am sated with
light”.
Each of the above three examples involves specific identical features
in both texts, and together they establish a strong case for a literary
dependence 25. In addition to these parallels, scholars have pointed
to some general thematic connections between the two texts. The
theme of mortality is strikingly dominant in both Gilgamesh and
Qohelet 26. A typical illustration is found in the following passage
from the Old Babylonian Yale tablet of Gilgamesh 27:
Who is there, my friend, that can climb to the sk[y]?
Only the gods have dw[elt] forever in sunlight,
As for man, his days are numbered,
Whatever he may do is but wind.
25
For the accumulation of parallels as a criterion for establishing a link
between two given texts, see TIGAY, “Evaluating Claims”, 255. See further
the references in n. 13 above.
26
JONES, “From Gilgamesh to Qoheleth”, 363.
27
GEORGE, Gilgamesh I, 200-201.