Gregory T.K. Wong, «Psalm 73 as Ring Composition.», Vol. 97 (2016) 16-40
This article seeks to analyse the structure of Psalm 73 as a ring composition based on characteristics identified by Mary Douglas. With special attention paid to key structural markers used throughout the psalm, it will be argued that Psalm 73 is an elegant and almost perfect ring, with the introductory and concluding sections merging into each other and closely interconnected with a middle turning point. The rest of the psalm is arranged chiastically with matching parallel sections on either side of the turning point.
PsALM 73 As rInG COMPOsITIOn 37
If one considers the two sections that focus primarily on the
psalmist, namely the $a section in vv. 13-15 and the yk section in vv.
21-26, one notices that content-wise v. 13 and vv. 21-22, which open
the respective sections, seem to share certain common features. First,
v. 13 and vv. 21-22 are both self-evaluative statements that express re-
gret. second, both regrets concern the psalmist’s own past actions or
attitudes. Third, both expressions of regret appear to have been direct-
ly caused not only by observations or insight about the wicked in the
immediately preceding sections, but also by the psalmist’s perceptions
about his own situation, which are given expression in the sections
that immediately follow. Therefore, to the extent that the two self-
evaluative statements are related both to what immediately precedes
and what immediately follows, they seem to function as hinge state-
ments that bridge the material on either side of them.
In v. 13, through qyr (“in vain”) the psalmist expresses regret
about having previously purified his heart and washed his hands in in-
nocence. That regret appears to have been brought on both by the
prosperity of the wicked observed in vv. 4-12 and by his own suffering
disclosed in vv. 14-15. In vv. 21-22, by calling himself r[b (“brutish”)
and twmhb (“beast-like”) the psalmist again expresses regret, but this
time about his previous envy and bitterness, feelings which, inciden-
tally, found expression in the regret he had earlier recounted in v. 13.
And like that earlier regret, this new regret is also brought on both
by insights about the wicked in vv. 18-20 and by realizations about
his relationship with God in vv. 23-26. The psalmist’s visit to God’s
sanctuary in v. 17 has apparently so changed his perspective that he
now regrets his earlier regret.
This parallel between v. 13 and vv. 21-22 is also structurally sup-
ported. For not only are both self-evaluative statements placed at the
beginning of their respective sections to serve as a hinge between what
immediately precedes and what immediate follows, but also the key
term ybbl (“my heart”) is found in both sections in conjunction with
another term related to the physical body. Thus, while in v. 13 ybbl is
used in conjunction with ypk (“my hands”) to bring out the substance
of the psalmist’s regret, in v. 21 ybbl is used in conjunction with ytwylk
(“my kidneys”, used figuratively here to indicate emotions) to bring
out the substance of his new regret.
Given these parallels in content, structure, and recurrence of key
terms, it seems likely that v. 13 and vv. 21-22 are intentionally linked
to form an imaginary line that functions as a secondary axis. In fact,
recognizing this will go a long way towards explaining why vv. 21-22