Juraj Feník - Róbert Lapko, «Annunciations to Mary in Luke 1–2», Vol. 96 (2015) 498-524
In addition to the scene conventionally known as "the Annunciation" (Luke 1,26-38), three other texts in the infancy narrative qualify to be classed as such. This article proposes an understanding of 2,8-20; 2,22- 35; 2,41-52 as annunciation pericopes by highlighting the fact that other characters, namely, the shepherds, Simeon, and Jesus function as messengers communicating to Mary further information about her son. It identifies the messenger, the act of speaking, the message, and the reference to Jesus' mother in each of the four scenes. Luke's infancy narrative, so the argument runs, contains four annunciation scenes in which a progressive revelation about Jesus addressed to his mother takes place.
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III. 2,22-35; IV. 2,41-52), leading to the conclusion (V) that it ap-
pears entirely justified to speak of four annunciations in Luke 1‒2.
The first annunciation represents the point of departure for the cen-
tral portion of this article.
I. Annunciation to Mary by Gabriel (1,26-38)
The second episode in Luke, unlike the first, begins directly with
the sending of the same angel under divine dispatch to Mary in the
town of Nazareth. The encounter between Gabriel and the virgin is
staged as the angel’s arrival to her, with the verb of movement used
to express the action of the angel (1,28a eivselqw,n). Their dialogue
begins with the angel’s greeting (1,28b). Mary’s reaction to what
she hears is reported in the following verse (1,29).
The divine envoy resumes speaking in 1,30a, and at this juncture
the aspect of annunciation emerges. As was the case in the previous
episode, the identification of the messenger (o` a;ggeloj), the ref-
erence to the addressee (auvth/|), and the use of a verbum dicendi
(ei=pen) converge to indicate that an annunciation is starting to un-
fold. Its content is then teased out in 1,30b-33. After the assurance
to Mary not to fear and the reference to her finding grace with God,
the texture of the oracle (1,31-33) is woven out of a string of eight
verbs in future tense with varying subject and content. This shows
that Gabriel is in the process of delivering a message: he announces
the performance of future actions by different characters. With
Mary as the subject, the first three verbs (sullh,myh|, te,xh|, kale,seij)
point to her future acts of conceiving, bearing, and naming the boy
and so underline her unique and privileged role with respect to the
child to be born. As the first piece of information in 1,31, the angel
an artificially contrived designation for any other scene in the remainder of
Luke’s narrative in which one character says something to another. Confined
to the purview of Luke 1–2, the term captures the dynamic present in 2,8-20;
2,22-35; 2,41-52 — in addition to 1,26-38 — that consists of the appearance
of a divinely-sanctioned messenger who addresses Mary on the identity of
her son. Such articulation of the three texts serves both to distinguish them
from other scenes in the infancy narrative and to link them with the first,
angelic annunciation.