Joel White, «Anti-Imperial Subtexts in Paul: An Attempt at Building a Firmer Foundation», Vol. 90 (2009) 305-333
This article argues that, though it cannot be doubted that there is a subversive quality to Paul’s letters, attempts to identify subversive subtexts have failed due to their preoccupation with what is deemed inherently subversive vocabulary. A better approach to grounding Paul’s anti-imperial theology is to recognize that he affirmed the subversive late Second temple Jewish-apocalyptic, and particularly Danielic, narrative that viewed Rome as final earthly kingdom that will be destroyed by the coming of God’s kingdom.
318 Joel White
Dan 7 recounts a vision from the first year of Belshazzar’s reign
that closely corresponds to Nebuchadnezer’s dream. Four beasts come
up out of the sea. The first three resemble a lion, a bear, and a leopard,
respectively. The fourth one defies description, except for the fact that
it was dreadful and strong and possessed huge iron teeth and ten horns.
Among the horns, one in particular is singled out for attention. At this
juncture the Ancient of Days appears, and the fourth beast is destroyed.
The dominion of all the beasts is taken away and given to “one like the
Son of Man†(v. 13). Daniel asks an angelus interpres to explain to him
the meaning of the vision, and it is revealed to him that the four beasts
represent four kingdoms. The analogy to Dan 2, readily apparent in its
own right, is thus made explicit. Daniel asks more about the fourth
beast, which he finds especially terrifying. He is told that the fourth
beast represents a kingdom that will bring the whole earth under its
dominion.
Dan 8 describes a vision assigned to the third year of Belshazzar’s
reign of a ram with two horns that is overpowered by a male goat with
one great horn. The large horn breaks and is replaced by four horns,
one of which defiles the temple. The angel Gabriel interprets the vision
for Daniel: The ram with two horns represents the kings of Media and
Persia. The male goat is Greece (or more precisely, the Macedonian
empire; the great horn is clearly Alexander). Though Gabriel does not
say so explicitly, the four horns undoubtedly represent the Diadochi.
The little horn, which grows up and ultimately defiles the temple,
obviously symbolizes the Seleucid kingdom, more specifically
Antiochus Epiphanes IV.
Within the book of Daniel, at least in its canonical form, the
following correspondences are thus obtained (52):
(52) There has been, of course, a great deal of discussion as to which kingdoms
are actually meant in the original context of Dan 2 and 7, and different authors
have arrived at very different conclusions, depending upon their theories of the
unity and dating of the book of Daniel. Generally, it is held that Dan 2, 7, and 8
were written by different authors, each using the work of his predecessor or
predecessors as a model but contemporizing the historical referents to fit their own
context. Cf. I. FRÖHLICH, ‘Time and Times and Half a Time’. Historical
Consciousness in the Jewish Literature of the Persian and Hellenistic Eras
(JSPSup 19; Sheffield 1999) 13, 77. For our purposes the discussion is
inconsequential, since we are interested only in the way in which Daniel’s
prophecies were understood in early Judaism, and the canonical form of Daniel is
presumed from its earliest traceable point of reception in the period. Cf. G.W.E.
NICKELSBURG, Jewish Literature between the Bible and the Mishnah
(Minneapolis, MN 22005) 17.