Jerry A. Gladson, «Postmodernism and the Deus absconditus in Lamentations 3», Vol. 91 (2010) 321-334
Lamentations reflects the silence of God. God seemingly does not act or speak. To some, this detachment represents an absence of God; to others, a «hiddenness» of God (Deus absconditus). Analysis of Lam 3,55-57, the crux interpretum for the divine silence, suggests the q strophe may break this oppressive silence. The strophe reflects an awareness of God who speaks. God stands in the background of the whole of life for this poet, emerging only fleetingly and in ways oblique. This perspective is similar to the ambiguous, indeterminate approach to reality in postmodernism. The divine Voice thus joins other voices in Lamentations.
323
POSTMODERNISM DEUS
AND THE ABSCONDITUS
the end, with uncertainty regarding divine intervention at the
conclusion 9.
The pivotal position of this poem raises questions about its
significance. Does it represent a climatic, wistful, although
disappointed, yearning for God’s mercy 10 ? If merely wistful,
forlorn longing, does it sardonically sustain the mood of the book?
Is it a triumph of faith 11? If triumphal, does it break through to
trust and hope, however fleetingly 12 ?
Structured as a triple acrostic, each successive strophe of three
cola begins with sequential Hebrew letters, making a total of 66
cola. Blending individual and communal lament 13, it unfolds in a
characteristic rising and falling, wave-like cadence. The a strophe
begins with the poet bitterly complaining about his plight.
[God] has driven and brought me into darkness without any light;
against me alone he turns his hand, again and again, all day long.
(3,2-3)
Despair and complaint pervade 3,1-18, or the a-w strophes.
Then, in the z strophe, the wave begins to rise (3,19-33), with
anticipation of divine mercy and deliverance predominating. This
continues through the k strophe (3,33). Once more, the wave ebbs
with the l through the x strophes (3,34-54). When the poet calls
upon YHWH in the q strophe (3,55-57), the poem rises once more
toward hope (3,58-60).
You have taken up my cause, O LORD,
you have redeemed my life. (3,58)
W. KAISER JR., A Biblical Approach to Personal Suffering (Chicago, IL
9
1982) 24.
So O’CONNOR, “Book of Lamentationsâ€, 1051.
10
So HUBBARD, “Hope in the Old Testamentâ€, 45.
11
So J. GLADSON, The Five Exotic Scrolls of the Hebrew Bible. The
12
Prominence, Literary Structure, and Liturgical Significance of the Megilloth
(Lewiston, NY 2009) 197.
Lamentations 3,1-39 are in the style of an individual lament; vv. 40-47
13
shift to first person plural, then vv. 48-66 back to first person singular. Like
most of the laments elsewhere in the Hebrew Bible, this one reflects (1) an
accusation against God (3,1-18. 43-45); (2) complaint toward other people (an
enemy) (3,46-48. 52-54. 61-66); (3) first-person (I or we) discourse. See
P. MILLER, “Trouble and Woe: Interpreting the Biblical Lamentsâ€, Int 37
(1983) 32-33.